With Sails Ahead Climb Murder Mountain

Over the past few years With Sails Ahead has become one of my favorite bands.
Their ability to mix progressive post-hardcore influence with pop music tendencies is almost unmatched.
This is one of those rare cases of a band that has gotten exponentially better with every release.

Their single “In Fear and Loathing” was released late last year and found the group sounding even tighter than before and proving the track was worth the lengthy wait.

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The band just released their new single “Murder Mountain” a few days ago.
They teased the track on social media with journal entries from the song’s main character. The entries included corresponding latitude and longitude coordinates. There was a ton of thought put into this song’s rollout.

I saw someone on Twitter refer to this as the bands’ ‘magnum opus’, and I honestly don’t think it’s that much of a stretch.

Sierra Binondo’s vocals are on another level here. It’s like she’s finally opening up and getting more comfortable in the booth.
Whatever she was holding back before is boiling to the surface in the best way possible.
There’s moments where an underlying growl can be heard and the more aggressive feel provides a nice balance. This feels like her most vulnerable performance in the band’s career.

The precision shreds by Joe and Santino are nothing to ignore. They makes sure this song stays true to the group’s post-hardcore roots. From the first few seconds, you can tell they’re both on their A game. The riffs are gigantic and almost remind me of Coheed during the chorus.

I didn’t think this song could get much better until the band premiered the visual for it.
The anime inspired video is more like a short story, which I appreciate. The video finds the band outrunning masked assassins through the snow covered forest. The story takes an epic turn and without spoiling things too much, let’s just say a gunblade makes it’s way into the mix.

*Music video filmed, edited and directed by Kris Khunachak

*Song credits: Recorded and edited by Kevin Antreassian at Backroom Studios Mixed and Mastered by Dryw Owens at Little Russia Recordings

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