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Tag Archives: traktor


One of most respected names in techno music is Chris Liebing. Calling Frankfurt, Germany,  he has been playing for 20+ years to audiences all over the globe. To him, it’s not about playing hit after hit. He would rather take his audiences to another dimension. “Nothing

DJ Qbert Introduces BlueTooth Crossfader (Mixfader)

Turntablist Legend DJ Qbert was in awe after testing out the world’s first wireless portable fader. It preserves the feel and grip of your everyday fader, yet opening up new creative perspectives for the art of turntablism. For the first time compatible with both Timecode

What’s the difference between a remix, bootleg, edit, VIP and other mixes?

Remix = new mix of a song, when stems (official samples of different recording tracks like the melody, bass, drums, etc.) are provided. Bootleg = remix using the raw song, no stems. Some mashups are called bootlegs. Flip = basically a remix or a bootleg

DIY Saturday #23 – Ean Golden Syncing Drum Machines with Traktor (djtechtools)

There are 3 ways to sync up a drum machine to your DJ set. The first way is to treat the drum machine like a turntable and sync it up manually by increasing/decreasing the tempo until the drum machine is in sync. The second way


Look ma, no jog wheels! Ean Golden gives some detailed feature information and his thoughts on the new TRAKTOR KONTROL S8 in thisDJ TechTools hands-on video. the ‪#‎futureofdjing‬ – the ‪#‎traktorkontrols8‬ The Traktor Kontrol S8 will be in stores November 1st – preorder a unit

Native Instruments Traktor S8 leaked by Amazon.

Seems like Traktor, Serato and Pioneer are splitting the market more and more into controllerism, turntablism and the club/CDJ stuff. Notice that this controller has no jog wheels and pitch faders, but only a master tempo knob similar to Traktor DJ on iOS.

MUST SEE! Monday #4 – INSIDE DJTT(DJ Tech Tools) w/ EAN GOLDEN

If you make or mix music you need to know who Ean Golden is or at least visit his site’s . Why?…because this is one of, if not THE dude pushing the electronic music industry to new levels. Without Ean’s love of “controllerism” and